The Howling Fantods

David Foster Wallace News and Resources Since March 97

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Statesman Lipsky Review

Joe Gross' review, Portrait of the artist as a guy in a car, of David Lipsky's book has been posted over at statesman.com:
 
What Lipsky notices for us, and then what is impossible to ignore afterward, is that Wallace is very interested in solitude and what that meant to him and his relationships with other people. ("`Alone' is a word that meant a great, complicated amount to him," Lipsky writes.) He saw books and writing as a bulwark against loneliness, but his devotion to being alone caused his romantic and personal relationships to suffer; he cannot quite find the right balance between the advantages and disadvantages of spending so much time by himself.
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Lispky Book #16 on NYT List

I just followed a link through to the New York Times Paperback Nonfiction Best Seller List to discover David Lipsky's Although Of Course You End Up Becoming Yourself: A Road Trip with David Foster Wallace at #16 for the week ending April 17th. Congrats, David!
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The Atlantic and Other Reviews

 
Menachem Kaiser's extended piece about Wallace and the book, The Challenge of Writing About David Foster Wallace, for the Atlantic:
 
Some personalities lend themselves well to biographies and profiles. These lives can be neatly packaged, edited, and bound. They can be organized into chapters, narratives, lists, and an index. And though these biographies might not make great literature, they can be thrilling to read (cf: Richard Burton). But some lives can't be defined by the adventures therein; some possess an intellect so vast and frenetic that, consequently, it's mostly inaccessible to the profiler and, in turn, the reader. See: Wallace, David Foster.
 
 
Paul Debraski continues his initial thoughts with a Soundtrack overview and full review:
 
The focus of Lipsky’s questioning is multifold.  Lipsky is a fan of DFW’s work, and since he himself is a young writer, he seems to have a personal interest in writerly ambition, fame, the effects of fame, and the effects of fame on the writing process.  Also, his angle for the piece is clearly “what’s it like to be DFW, savior of literature?”

And the answer is interesting because of the type of person DFW is:  he’s very smart, but he’s also very uncomfortable with showing off his smartness (Lipsky describes him as being very Midwestern in this regard).  He’s a gentle generous person who is very protective of himself and his family.  And so, rather than just being a profile of a hip young author, the focus turns into what happens to a shy, unassuming hip young author when the spotlight shines on him.
 
 
 
The book contains what would have to be a significant amount of everything that Wallace said during their conversation over these five days or so, and it is clearly an important primary source for scholars interested in him. It also seems clear to me (and to Lipsky, both at the time and certainly in retrospect) that Wallace was exceptionally wary of him and was concealing himself or acting a part in much of their conversation. Lipsky seems to identify this fairly quickly, and a good part of what’s in the book is Wallace’s typically self-reflexive discussion of the various ethical and epistemological issues caused by this preparation of a face to meet the faces you meet, etc. I was somewhat annoyed by how Lipsky wanted to capture the code-switching in Wallace’s speech by phonetic spellings and such. I’m sure that just a mention of a different accent or voice pattern in the bracketed sections would work better than the inconsistent “dudn’t” and “in’”s that distract the reader.
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Infinite Words

While participating in Infinite Summer Reeves Wiedeman kept track of all the quotes he really enjoyed and has recently categorised and blogged about his fave bits. Check out his Infinite Words project over at Meanderings. (Obvious spoilers if you have not read Infinite Jest).
 
 
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Infinite Zombies Lipsky Review

Daryl L. L. Houston has posted his review of David Lipsky's book over at Infinite Zombies: 
 
Some have complained that Lipsky himself was too present in the text, that he peeks in with a too-high frequency with brief bracketed interpolations. I found the interjections helpful and well-meaning where others have found them self-serving and annoying.

The deeper into the book I got, the more pages I dog-eared, so that by the end, I figured I might as well just enlist the help of a strong friend and fold the corner of the whole book down on itself. The two men talk about movies, parties, fame, loneliness, the genesis of Infinite Jest, and much more, and it’s all riveting.
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Lipsky Book Review Roundup

 
Philip Lee Williams' review, Although of Course.
Friday Recommends at What We Blog About When We Blog About Love.
Andrew Shaffer's review at Print is Undead.
Weston Cutter's 1996’s Wallace Now at Corduroy Books.
Zach Baron's review for BookForum.com  (this is a repost, but I snuck it in at the end of another piece so it may have been missed).
Paul Debraski's thoughts on the introductory pieces at I Just Read About That.
Finally, not a review, but a series of choice quotes from the book selected by The Film Doctor.
Darius' review over at Various Provocations.
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Last Updated on Friday, 23 April 2010 18:49
 

David Lipsky on David Foster Wallace for LibraryThing

David Lipsky has written about some highlights of David Foster Wallace's work for LibraryThing’s State of the Thing April newsletter:
 
If you’ve never read DFW before, here’s a list of the highlights—and if you have opened one of his books, you probably already know it’s almost all highlights.  David Wallace had the rarest gift for a writer.  He made you feel smarter while and after you read him.  He’s like a mental vitamin pill.  And it’s not the kind of brightness that makes you feel stubby, the brightness of the kid who keeps raising a hand in class. It’s a brilliance that welcomes you, that says, “I know you noticed this, come over here and be smart with me.”  Wallace was aware of this, too.  He said, “What writers have is a license and also the freedom to sit—to sit, clench their fists, and make themselves be excruciatingly aware of the stuff that we’re mostly aware of only on a certain level. And if the writer does his job right, what he basically does is remind the reader of how smart the reader is. Is to wake the reader up to stuff that the reader’s been aware of all the time.”  David Wallace’s work is a wake-up pill, a slug of coffee; that’s what the following stories, essays and novels stories are like.
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